The Liberation

In a medieval village, Lucero joins women led by the Elder Witch to discuss the injustices that weigh on them. In the present, Carmen tries to recover her position as a reporter by promising an interview with the film director Lucas García García.

After the patriarchal wound ceremony, Lucero's spell begins to manifest itself in Carmen. Visions of a teenage memory mingle with a strange scenario: a medieval pageant, a competition between novices for the love of God, led by a nun.

Sol Stein's mental space presents a confrontation with some familiar faces that resonate with a childhood wound in the family bed. In Sol, the spell manifests itself with visions of a medieval forest, where she faces a threat.

In her mental space, after the ceremony led by Lucero, Natalia reveals herself as a princess on her 16th birthday, destined to get married and bring honour to her people. The medieval celebrations are linked with the memory of a party.

The women of La Aldea intercept Antón Vera, the soap opera heartthrob and anti-rights celebrity, and Carmen and El Pulparindo follow the action. At the set, in the moment in which Medea kills her sons, Natalia is shaken by the intensity of the scene.

El Pulparindo goes in search of Sara and Matías. El Pulpa finds himself trapped in a meeting of La Organización, the nemesis group of La Aldea, and discovers the presence of the anti-right heartthrob Antón Vera and the photographer Mauro Mendoza.