The Liberation

In a medieval village, Lucero joins women led by the Elder Witch to discuss the injustices that weigh on them; in the present, Carmen tries to recover her position as a reporter by promising an interview with the film director Lucas García García.

After the patriarchal wound ceremony, Lucero's spell begins to manifest itself in Carmen; visions of a teenage memory mingle with a strange scenario: a medieval pageant, a competition between novices for the love of God, led by a nun.

Sol Stein's mental space presents a confrontation with some familiar faces that resonate with a childhood wound in the family bed; in Sol, the spell manifests itself with visions of a medieval forest, where she faces a threat.

In her mental space, after the result of the ceremony led by Lucero, Natalia reveals herself as a princess on her 16th birthday, destined to get married and bring honor to her people; the medieval celebrations are linked with the memory of a party.

The women of La Aldea intercept Antón Vera, the soap opera heartthrob and anti-rights celebrity; Carmen and El Pulparindo follow the action; at the movie set, the moment in which Medea kills her sons, Natalia is shaken by the intensity of the scene.

El Pulparindo goes in search of Sara and Matías; El Pulpa finds himself trapped in a meeting of La Organización, the nemesis group of La Aldea, discovering the presence of the anti-right heartthrob Antón Vera and the photographer Mauro Mendoza.